Stay connected with Gallery@501

It is important to stay connected as an arts community and here are a few ways you can with Gallery@501.

On this page

'Members Show and Sale' 
by Gallery@501 members

Please enjoy a virtual presentation of the annual Members Show and Sale by clicking onto an image below. This will allow you to scroll through all the artworks in the exhibit by each of the participating members. 

  • 3 x 9 Art Club

    3 x 9 Art Club

    'Poppies in the Wind’ (2020)
    by 3 x 9 Art Club (Angele Hebert-Gunn, Pat McMillan and Paulette Gunn)
    (Acrylic on 80 individually painted panels, 48" x 60")

  • Alvaro Luis Arce

    Alvaro Luis Arce

    1. ‘The Long Pause’ 2020
    (Acrylic on wood, 42" x 31 ¾")
     
    2. ‘Steampunk Bottles’  2020
    (Found object and mixed media sculpture, 6 bottles each approx. 11" x 5" x 3")

  • Annette Sicotte

    Annette Sicotte

    1. ‘Sunday Drive’  2020
    (Acrylic on canvas, 30" x 40")
     
    2. ‘Wildrose Prairie’  2020
    (Mixed media on birch, 20 ¼" x 16")

  • Carleen Ross

    Carleen Ross

    1. ‘Strength in Numbers’  2015
    (Acrylic on canvas, 24" x 18")
     
    2. ‘Incognito’  2017
    (Acrylic on canvas, 18" x 24")
     
    3. ‘Morning Bear’  2017
    (Acrylic on canvas, 20" x 20")
     
    4. ‘Only in a Dream’  2016
    (Acrylic on canvas, 36" x 24")

  • Charlene Wildeman

    Charlene Wildeman

    1. ‘December Day’  2020
    (Acrylic and pastel on canvas, 30 ½" x 40 ½")
     
    2. ‘Cool Morning’  2019
    (Wax and pastel on canvas,12 ½" x 12 ½")
     
    3. ‘Before the Storm’  2020
    (Acrylic on canvas, 24 ½" x 24 ½")

  • Claire Lamb

    Claire Lamb

    1. ‘Visions of Perylene’  2019
    (Oil on canvas, 31" x 59")
     
    2. ‘There Dreams are Paved in Tile’  2020
    (Mixed media sculpture, 13" x 24" x 18")
     
    3. ‘Ally’s Ocean’  2019
    (Oil on canvas, 36" x 24")

  • David E. Yowney

    David E. Yowney

    1. ‘Man with Dog’  2018
    (Acrylic on linen, 20 ¾" x 26 ¾")
     
    2. ‘Clear Water’  2018
    (Acrylic on linen, 17 ¾" x 21 ¾")
     
    3. ‘On the Way to George’s Point Alberta’  2018
    (Acrylic on linen, 17 ¾" x 21 ¾")
     
    4. ‘Colinton Alberta’  2017
    (Acrylic on board, 22" x 17 ½")

  • Dennis P. Yowney

    Dennis P. Yowney

    1. ‘Paska’  2019
    (Acrylic on watercolour paper, 15 ¾" x 13 ¼")
     
    2. ‘Ukrainian Still Life’  2020
    (Acrylic on watercolour paper, 11 ½" x 9 ½")
     
    3. ‘St. Peter’s Fish’  2020
    (Acrylic and watercolour on paper, 17 ¾" x 21 ¾")
     
    4. ‘Melon’ 2020
    (Acrylic and watercolour on paper, 18" x 21 ¾")

  • Edna Cabalo

    Edna Cabalo

    1. ‘Hopes’  2020
    (Oil on canvas, 24" x 12")
     
    2. ‘Longing’  2020
    (Oil on canvas, 24" x 12")
     
    3. ‘Waiting’  2020
    (Oil on canvas, 18" x 14")

  • Frances Pelletier

    Frances Pelletier

    1. ‘Waves on the Coast’  2019
    (Oil on canvas, 12" x 15 ¼")
    Photo reference: Highlands National Park, Cape Breton, NS - courtesy of Guy Blanchette.
     
    2. ‘Escape’  2020
    (Oil on canvas, 11 ¼" x 13 ¼")
     
    3. ‘Harvest is Done’  2020
    (Oil on canvas, 12 ½" x 14 ½")
     
    4. ‘By the Water’  2020
    (Oil on canvas, 13" x 11")

  • Gary Poignant

    Gary Poignant

    1. ‘Think Outside the Boxes’  2020
    (Acrylic on wood, 4 boxes 5 ¼" x 5 ¼" each)
     
    2. ‘Courage’  2017
    (Mixed media, 12" x 16")

  • Gary Sutton

    Gary Sutton

    1. ‘Omingmak’  2020
    (Acrylic on canvas, 12" x 16")
     
    2. ‘Honey Bee’  2016
    (Acrylic on canvas, 9 ¼" x 11 ¼")
     
    3. The Wolverine and the Moon’  2016
    (Acrylic on canvas, 9 ½" x 7 ½" )

  • Georgette Starko

    Georgette Starko

    1 ‘Almost Autumn’  2020
    (Acrylic on canvas, 19 ¼" x 15 ¼")
     
    2. ‘Koi Pond Cadence’  2020
    (Acrylic on canvas, 20" x 24")
     
    3. ‘Sunflower Fields Forever’  2020
    (Acrylic on canvas, 19 ¼" x 25 ¼")
     
    4. ‘Along Bow River, Canmore’  2020
    (Acrylic on canvas, 25 ¼" x 19")

  • Gerry Dotto

    Gerry Dotto

    1. ‘Sun Dial Tan’  2010
    (C print on metallic photo paper, 12 ¼" x 12 ¼")
     
    2. ‘Sun Dial Tone’  2010
    (C print on metallic photo paper, 12 ¼" x 12 ¼")
     
    3. ‘Stripped for Parts’  2010
    (C print on photo paper, 12 ¼" x 12 ¼")
     
    4. ‘Empty Landscape’  2018
    (Digital print on Hahnemuhle photorag baryta glossy paper, 27 ¾" x 34 ¾")

  • Jamie Panych

    Jamie Panych

    1. ‘Onward and Upward’  2020
    (Mixed media on canvas, 17 ¼" x 13 ¼")
     
    2. ‘Winter’s Eve’  2020
    (Acrylic on canvas, 20" x 16")

  • Jermaine Wunderly

    Jermaine Wunderly

    1. ‘2020 Sketch #1’  2020
    (Acrylic on board, 16" x 18 ¾")
     
    2. ‘Into the Forest’  2020
    (Acrylic on board, 19" x 31")
     
    3. ‘Into the Light’  2020
    (Acrylic on board, 23" x 43 ½")
     
    4. ‘2020 Sketch #2’  2020
    (Acrylic on board, 16 ½" x 19 ½")

  • Joan Hill

    Joan Hill

    1. ‘Lagoon Nebula’  2018
    (Acrylic stain, 34" x 48")
     
    2. ‘Hubble Lagoon’  2018
    (Acrylic stain, 36" x 48")
     
    3. ‘Super Nova’  2018
    (Acrylic stain, 38" x 48")

  • Judy Madden

    Judy Madden

    1. ‘Tropical Splendor’  2019
    (Linocut/monoprint, 16" x 14")
     
    2. ‘The Pathfinder’  2017
    (Relief print - photopolymer plate, 12 ¼" x 10 ¼")
     
    3. ‘Terry K.’  2011
    (Relief print – photopolymer plate, 15 ½" x 13 ¾")
     
    4. ‘Creation’  2018
    (Monoprint, 17 ½" x 14 ¼")

  • Julie Kaldenhoven

    Julie Kaldenhoven

    1. ‘Blue Bird I’  2019
    (Plaster infused gauze, acrylic, wood, paper and raffia, 10" x 8" x 5")
     
    2. ‘Travellers’  2020
    (Plaster infused gauze, acrylic and paper, 7" x 7" x 5")
     
    3. ‘Tea for One’  2020
    (Plaster infused gauze, fabric and acrylic, 8" x 7" x 4")

  • Kay McCormack

    Kay McCormack

    1. ‘Cinnamon Black Bear’  2020
    (Clay, metallic and acrylic paint, 8" x 6 ½" x 9")
     
    2. ‘Donkey’  2020
    (Clay, metallic and acrylic paint, 11 ½" x 10 ½" x 7 ½")
     
    3. ‘Should I Stay?’  2020
    (Clay, metallic and acrylic paint, 8 ¼" x 8" x 6 ½")

  • Ken Duncan

    Ken Duncan

    1. ‘Targe’  2020
    (Leather, 20 ½" round)
     
    2. ‘Into the New’  2020
    (Leather, 15 ¼" round)
     
    3. ‘Zoomorphic Birds’  2020,
    (Leather, 70" x 13")

  • Ken Hawtin

    Ken Hawtin

    1. ‘Untitled III’  2020
    (Wood and acrylic paint, 10 ¼" x 6" x 6")
     
    2. ‘Restless Water’  2020
    (Wood, 9" x 8" x 8")
     
    3. ‘A Nature Find’  2020
    (Wood - maple burl box elder, apple, 13" x 10" x 10")
     
    4. ‘Erosion III’  2020
    (Wood and Pyrography, 9" x 7 ½" x 7 ½")

  • Lily Christiansen Dutchak

    Lily Christiansen Dutchak

    1. ‘Wolf Willow’  2020
    (Acrylic, 16" x 20")
     
    2. ‘River Valley’ 2020
    (Acrylic, 11" x 14")
     
    3. ‘Fireweed After the Burn’  2020
    (Acrylic, 12" x 14 ¼")
     
    4. ‘Sunrise Scavengers’  2020
    (Acrylic, 24" x 24")

  • Linda Finstad

    Linda Finstad

    1. ‘Lest We Forget’  2020
    (Acrylic on canvas, 24" x 18")
     
    2. ‘Temptation’  2020
    (Acrylic on wood, 24" x 16")
     
    3. ‘Into the Light’  2020
    (Acrylic on canvas, 24" x 18")
     
    4. ‘Saviour’  2020
    (Acrylic on wood, 24" x 16")
     

  • Linda Poignant

    Linda Poignant

    1. ‘Functional Small Bowl 1 of 3, Landscape Series – Telegraph Cove’  2020
    (Ceramics/Clay, 3" x 6 ½" x 6 ½")
     
    2. ‘Functional Small Bowl 2 of 3, Landscape Series – Menzies Bay’  2020
    (Ceramics/Clay, 3" x 6 ¾" x 6 ¾")
     
    3. ‘Functional Small Bowl 3 of 3, Landscape Series – Smugglers Cove’  2020
    (Ceramics/Clay, 2 ½" x 6" x 6")
     
    4. ‘Functional Bowl, Landscape Series’  2020
    (Ceramics/Clay, 2 ½" x 6" x 6")

  • Lorraine Schuld

    Lorraine Schuld

    1. ‘Standing Firm’  2020
    (Acrylic on canvas, 19 ½" x 25 ½")
     
    2. ‘Keep Climbing’  2020
    (Acrylic on canvas, 24" x 18")
     
    3. ‘A Place to Rejuvenate’  2019
    (Acrylic on canvas, 16" x 20")
     
    4. ‘There’s More’  2020
    (Acrylic on canvas, 21 ½" x 17 ½")

  • Marilyn Nilsson Grabinsky

    Marilyn Nilsson Grabinsky

    ‘Triads 2: Swizzle’  2020
    (India ink and acrylic on watercolour paper, 36 ½" x 28 ¾")

  • Mark Henderson

    Mark Henderson

    1. ‘Over the Deep End’  2020
    (Acrylic on panel, 36" x  30")
     
    2. ‘Control Alt Delete’  2020
    (Acrylic on panel, 30" x  36")
     
    3. ‘Ten Miles In’  2020
    (Acrylic on panel, 30" x  36")
     
    4. ‘No Adjustment Required’  2020
    (Acrylic on panel, 30" x  36")

  • Mark Morris

    Mark Morris

    1. ‘Greenback Curiass’  2020
    (Isophthalic polyester resin with MEKP hardener + 2 XL cotton sweatshirt, 21 ½" x 19 ½" x 5 ¾")
     
    2. ‘Shovelseed (1 of 2)’  2020
    (Bronze with green patina, 12 ½" x 11 ½" x 6")
     
    3. ‘Shovelseed (2 of 2)’  2020
    (Bronze with brown patina, 12 ½" x 11 ½" x 6")
     
    SHOVEL SEED:
    SQUAREMOUTH / ROUNDMOUTH
    Mark Morris  2020
    A specific controlled genetic study has only been able to produce seed capable of developing square mouth at the rate of 1 in 3 cases. It is helpful to plant at least four in each row with a 6-foot distancing between each seed.
    Each plant will exhibit unique shaped leaves based on the genetics of the seed, i.e., squaremouth or roundmouth. The leaves at full maturity are approximately 4” wide and 6” long with a striking dark emerald green in contrast to the pale-yellow beige of the handle.  
    A steel A - frame trellis is generally used to control the growth of the handles* at an acceptable angle for ease of use after harvesting. I generally plant the short handle variety with a companion plant of D handles in the adjacent row.
    Roots and leaves should be removed immediately following harvest. Kiln drying for 24 hours will produce the best results. Sun drying of the implement is not recommended.
    Sanding of the surface to provide a uniform smooth finish is essential in areas where roots and leaf stems have been removed. (240 -320 grit is suggested)
    Excessive moisture and periods of high humidity have been found detrimental to the finished form.
    Surface moisture exposure can be overcome by sealing all surfaces with 2-3 coats of boiled linseed oil before using the implement. Apply as per manufacturer’s directions over 48 to 72 hours.
     
    *Handles droop immediately after flowering. Firm support to the trellis is essential immediately before and during flowering.

  • Marlies Belksma

    Marlies Belksma

    1. ‘Searching Bird’  2020
    (Soapstone, 13 ½" x 7" x 7")
     
    2. ‘Ming Tree’  2014
    (Basalt, wire, rose quartz, 7 ½" x 5" x  4 ½")
     
    3. 'Ming Tree II'  2014
    (Mookaite jasper, wire, fluorite, 6 ½" x 4" x  3 ½")
     
    4. ‘Dutch Landscape with Seagulls'  2017
    (Oil on board, 10 ¼" x 12 ¼")

  • Melissa Baron

    Melissa Baron

    1. ‘and I watched the light trapped in a ceiling of leaves. (Summer 2)'   2020
    (Oil on canvas 40" x 30")
     
    2. ‘Blue Swirls in the Sky’  2019
    (Oil on canvas, 28" x 20")
     
    3. ‘I discovered a trail beneath the poplars, (Summer 1)’  2020
    (Oil on canvas 36" x 24")
     
    4. ‘The light reflected through the leaves. (Summer3)'  2020
    (Oil on canvas 36" x 24")

  • Norma Callicott

    Norma Callicott

    1. ‘Tangled in the Silence’  2020
    (Paper collage 8" x 16")
     
    2. ‘Mudslide in the Forest’  2019
    (Paper collage 8" x 6")
     
    3. ‘Holding the Fall’  2019
    (Paper collage 8" x 6")
     
    4. ‘The Capture’  2020
    (Paper collage 12" x 10")

  • Pat McMillan

    Pat McMillan

    1. ‘Cathedral Five’  2020
    (Oil on canvas, 20" round)
     
    2. ‘At Least the Peonies are Beautiful’  2020
    (Oil on canvas,  20" x 8")
     
    3. ‘Desert Flowers’  2020
    (Oil on canvas, 15 ¾" round)
     
    4. ‘Nymphaeum’  2020
    (Oil on canvas, 19 ¾" round)

  • Paulette Gunn

    Paulette Gunn

    1. ‘French Connection’  2020
    (Acrylic on canvas,  17 ¾" x 24")
     
    2. ‘Emergence’  2020
    (Acrylic on canvas,  19 ¾" round)
     
    3. ‘Tea Party’  2019
    (Mixed media, 2 panels 8" x 8" each)

  • Richard Borowski

    Richard Borowski

    1. ‘Navy Yard’  2019
    (Linocut print,  27 ½" x 33 ¼")
     
    2. ‘Just Around the Corner’  2018
    (Woodcut print,  33 ½" x 44 ¼")
     
    3. ‘Quietly Waiting’  2019
    (Linocut print,  27 ½" x 33 ¼")
     
    4. ‘Along the River’  2019
    (Linocut print,  27 ½" x 33 ¼")

  • Ruby J. Mah

    Ruby J. Mah

    1. ‘It Knows not What it is’  2019
    (Mixed media,  37 ¾" x 25 ¾")
     
    2. ‘Of What is Past or Passing’  2018
    (Mixed media,  37 ¾" x 29")
     
    3. ‘To Sing to Lords and Ladies’  2019
    (Mixed media,  25 ¾" x 37 ½")
     
    4. ‘Set Upon a Golden Bough’  2019
    (Mixed media,  33 ¾" x 25 ¾")

  • Sharon Willas Rubuliak

    Sharon Willas Rubuliak

    1. ‘Evening at the Pond’  2020
    (Fibre and paint,  24" x 20 ½")
     
    2. ‘A Visit to the Pond’  2020
    (Fibre and paint,  19 ½" x 19 ¼")
     
    3. ‘Great Blue’  2013
    (Fibre and paint,  45" x 18")
     
    4. ‘Sans Vert’  2019
    (Fibre and paint,  24" x 12")

  • Suzan Berwald

    Suzan Berwald

    1. ‘Variation in Green’  2018
    (Monotype, 14" x 17")
     
    2. ‘Three Trees’  2018
    (Monotype, 14" x 17")
     
    3. ‘Variation in Green II’  2018
    (Monotype, 14" x 17")
     
    4. ‘Variation II’  2018
    (Monotype, 14" x 17")

  • Tania Garner-Tomas

    Tania Garner-Tomas

    1. ‘Magpie Bathing’  2020
    (Mixed media sculpture, 16" x 10" x 4")
     
    2. ‘Magpie Splashing’  2020
    (Mixed media sculpture, 18" x 12" x 9")

  • Vasudha Tiwari

    Vasudha Tiwari

    1. ‘Landscape’  2008
    (Oil on Canvas, 20" x 27 ¼")
     
    2. ‘Growth’  2008
    (Acrylic on Canvas, 32 ¼" x 26 ½")
     
    3. ‘Mountain Beauty’  2008
    (Oil on Canvas, 28 ¼" x 22")

  • Vincent Roper

    Vincent Roper

    1. ‘First Light’  2020
    (Oil on Canvas, 48" x 72")
     
    2. ‘Waiting’  2020
    (Oil on Canvas, 13 ½" x 13 ½")

Full list of prices and artist contact information: 
 

Resources for artists and arts enthusiasts 

Check out the below links for resources aimed at helping you stay connected and informed with the arts on a local, national and international level. We will continue to add to this list as more becomes available online. If you have suggestions of resources that might be of interest to our community, please email Assistant Curator Lisa Rayner at: Lisa.Rayner@strathcona.ca. 

The Social Distancing Festival 
Many exhibitions, arts festivals and other arts related events have been impacted by the need for social distancing. The Social Distancing Festival features art from all over the world affected by COVID-19 through images, writing and live streamed events. 

Art Gallery and Museum tours
Cultural institutions around the world are closed for the time being but many are now offering online exhibits and virtual tours. Google’s Arts and Culture platform has partnered with 1,200 leading museums to bring all this content to you in one place. 

Useful resources for artists 
This is a list of resources complied for Canadian artists and freelancers impacted by COVID-19 shutdowns. 

CARFAC Alberta - best practices
The Alberta Best Practices for Craft, Media and Visual Artist are ready to be read, used and shared. Published May 31st, 2020, these documents were adapted for use within Alberta’s arts ecology based on documents developed by CARFAC Saskatchewan.

MoMa - free art courses
New York's Museum of Modern Art have a variety of free online art courses that cover topics like: What is Contemporary Art?, Fashion as Design and Postwar Abstract Painting.

 

 

Gallery@501 Member of the Month - Gerry Dotto

Sculptural artwork made of a wooden fence post, one dress shoe, white sock, two Alberta license plates and a cast iron manhole cover base.

Gerry Dotto is a local artists who, through his expansive art practise, navigates the urban spaces we live in and explores our relationship with everyday visual communication. In his home studio in Sherwood Park, Gerry creates his work using a variety of media including photography, printmaking, mixed-media/collage, mail art, book making and sculpture.

See more of Gerry's work on his website.

Image: 'It Feels Like I'm Wearing Socks But I'm Not' by Gerry Dotto

Gallery@501 Member Benefits

Strathcona County Art Collection - featured artworks

'Family, Present and Future' by Oksana Movchan

'Family Present and Future' by Oksana Movchan

This slumped glass artwork is located at the Ardrossan Recreation Complex. To see more of Strathcona County's public art check out the 'Art of the County' map. 

'Almost Spring' by Vincent Roper

'Almost Spring' by Vincent Roper

Painted by local artist and Gallery@501 Member Vincent Roper, this oil on board painting titled 'Almost Spring' was purchased for the Strathcona County Art Collection in 2014.

'Reflections' by Gerald Martz

'Reflections' by Gerald Martz

The colour photograph 'Reflections' by photographer Gerald Martz, was purchased for the Strathcona County Art Collection in 2002.

'City Fish' by Kelsey Prud'homme

'City Fish' by Kelsey Prud'homme

Kelsey Prud'homme was a student when her photograph 'City Fish' was purchased for the Strathcona County Art Collection in 2011.

'Family, Present and Future' by Oksana Movchan

'Family Present and Future' by Oksana Movchan

This slumped glass artwork is located at the Ardrossan Recreation Complex. To see more of Strathcona County's public art check out the 'Art of the County' map. 

'Almost Spring' by Vincent Roper

'Almost Spring' by Vincent Roper

Painted by local artist and Gallery@501 Member Vincent Roper, this oil on board painting titled 'Almost Spring' was purchased for the Strathcona County Art Collection in 2014.

'Reflections' by Gerald Martz

'Reflections' by Gerald Martz

The colour photograph 'Reflections' by photographer Gerald Martz, was purchased for the Strathcona County Art Collection in 2002.

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Last updated: Monday, October 25, 2021
Page ID: 50737